Roerich N.K. – # 3 and opens (and we open the gate)
1922. Tempera on canvas. 73.9 x 104.3 cm.
Location: International N.K. Roerich’s Center-Museum, Moscow (Международный Центр-Музей им. Н.К. Рериха).
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Flanking the gateway are vertical extensions that appear to be part of fortified walls, further reinforcing the impression of a protected space. The surfaces of these structures exhibit a rough texture, achieved through visible brushstrokes and variations in pigment application. This textural quality contributes to an overall feeling of weathered grandeur.
Within the recessed niches on either side of the archway, figures are depicted – they appear as stylized icons or religious representations. Their forms are elongated and simplified, their gestures conveying a sense of solemnity and perhaps blessing. The halos surrounding their heads further solidify their symbolic significance.
The foreground is defined by a sloping ground plane, rendered in darker tones that create a visual anchor for the composition. A small, indistinct object rests on this plane near the bottom left corner; its purpose or meaning remains ambiguous.
Subtly, the painting evokes themes of transition and access. The open gate suggests an invitation, a passage from one realm to another – perhaps from confinement to freedom, or from darkness into light. The distant landscape viewed through the archway hints at possibilities beyond the immediate confines of the structure. The presence of the religious figures implies a spiritual dimension to this journey, suggesting that entry is not merely physical but also laden with symbolic and potentially transformative meaning. The muted color palette and rough textures contribute to an atmosphere of quiet contemplation, inviting viewers to consider the significance of thresholds and the passage of time.