Roerich N.K. – Madonna Oriflamma # 17 (Madonna Oriflamma)
1932. Tempera on canvas. 173.5 x 99.4 cm.
Location: Nicholas Roerich Museum of the United States. New York
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The woman occupies the primary visual space. She is depicted in profile, her gaze directed downwards, conveying an air of solemnity or contemplation. A large, golden halo emanates from behind her head, drawing immediate attention and suggesting a divine or elevated status. Her attire consists of a long, flowing garment rendered in shades of purple and pink, with what appears to be a jeweled crown adorning her head.
A prominent white banner is held across the figure’s body, displaying a circular emblem featuring three concentric circles in red. This symbol immediately introduces an element of cultural specificity or affiliation that contrasts with the otherwise universal iconography associated with the female figure. The placement and size of this emblem suggest its importance to the overall meaning of the work.
The symbols at the base of the composition – stylized crosses – appear repeated, adding a layer of visual rhythm and potentially referencing religious or symbolic systems. Their dark color against the lower background emphasizes their presence without distracting from the central figure.
Subtexts within this painting seem to explore themes of identity, faith, and cultural heritage. The juxtaposition of recognizable Christian iconography (the halo) with the distinct emblem on the banner suggests a blending or reinterpretation of traditions. The stylized landscape in the background hints at an idealized or imagined realm, possibly representing spiritual aspirations or a connection to a specific place or people. The overall effect is one of dignified reverence and quiet power, inviting contemplation about the intersection of personal belief and cultural identity.