Roerich N.K. – Etude with the image of Maitreya, carved on the rock
1931-1933. Paper, tempera, pastel, pencil. 13.9 x 21.5 cm.
Location: Nicholas Roerich Museum of the United States. New York
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Behind this central element, a range of mountains rises sharply, their slopes rendered in shades of purple and pink. The artist employed a lighter palette for the peaks, suggesting distance and atmospheric perspective through a subtle gradation of blues and whites. A faint indication of sky is visible above the mountain range, contributing to the sense of vastness and scale.
The composition directs attention towards the carved figure, positioning it as an integral part of the natural environment rather than a separate entity. The deliberate placement within the rock face implies permanence and integration with the landscapes history.
Subtly, there’s a feeling of isolation conveyed by the scene. The absence of any human presence beyond the implied creator of the carving reinforces this sense of solitude and contemplation. The muted color scheme contributes to a somber mood, hinting at themes of introspection, spirituality, or perhaps even the passage of time and the enduring power of nature. The drawing’s overall effect is one of quiet reverence for both the figure depicted and the landscape that cradles it.