Roerich N.K. – Sandoling (Lamayuru?)
1925 or 1926. The tree oil. 33 x 40 cm.
Location: Collection AV Melnikova. Russia.Moskva
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Here we see a tiered arrangement; the foreground is defined by sloping hillsides painted in shades of red and brown, which lead the eye toward a densely packed settlement situated at the base of towering mountains. The mountains themselves are rendered as angular masses, their surfaces exhibiting variations in color that suggest both sunlight and shadow. A winding path or road cuts across the lower portion of the painting, providing a sense of scale and hinting at human interaction with this rugged terrain.
The dwellings appear rudimentary, constructed from what seems to be stone or mud brick, and are clustered together, suggesting a communal living arrangement. Their placement within the landscape indicates an adaptation to the challenging environment. The artist’s treatment of these structures is somewhat simplified; they lack individual detail but contribute to the overall impression of resilience and integration with the natural surroundings.
The sky, while relatively subdued in color, introduces a sense of vastness and openness that contrasts sharply with the enclosed feeling of the valley below. The brushwork appears deliberate, with visible strokes contributing to the texture of the landscape.
Subtly, the painting conveys themes of isolation and endurance. The remote location, the stark beauty of the terrain, and the simple dwellings all suggest a life lived in close proximity to natures forces. There is an underlying sense of quietude and permanence; the mountains appear timeless, while the settlement seems to have been established as a response to the environment rather than a conquest over it. The limited color range reinforces this feeling of austerity and resilience.