Lhamo # 65 (61) (Palden Lhamo) Roerich N.K. (Part 3)

The composition presents a dramatic landscape dominated by towering geological formations. The palette is largely cool – greens and blues prevail, creating a sense of depth and imposing scale. A dark, almost black void occupies the lower portion of the canvas, serving as a stark contrast to the luminous peaks above and visually grounding the scene.
Here we see a central figure positioned within a cleft between two massive rock faces. The figure appears to be mounted on an animal – a horse or similar creature – and is rendered in a pale, almost spectral hue that distinguishes it from the surrounding environment. The posture of both rider and mount suggests dynamism; they seem poised for action, though their direction remains ambiguous.
A prominent waterfall cascades down one side of the central rock face, its white form providing a visual counterpoint to the darker tones of the mountains. This element introduces an additional layer of complexity, suggesting themes of cleansing or transformation. The water’s descent also draws the eye downwards, reinforcing the sense of vastness and power inherent in the landscape.
The artist employed simplified forms and flattened planes, eschewing detailed rendering in favor of a more symbolic representation. The mountains are not depicted with topographical accuracy but rather as monumental blocks of color, emphasizing their sheer size and presence. This stylistic choice contributes to an overall feeling of mythic grandeur.
Subtexts within the painting seem to revolve around themes of power, protection, and perhaps spiritual journey. The central figure’s placement within this imposing landscape suggests a guardian or protector – a being of significant importance positioned at a critical juncture. The darkness below could represent challenges or obstacles that must be overcome, while the luminous peaks symbolize aspiration or enlightenment. The painting evokes a sense of awe and reverence for forces beyond human comprehension.