Joan of Arc. Virgin at the stake (sketch) Roerich N.K. (Part 3)

The drawing presents a scene dominated by a central pyre, bathed in a warm, orange glow that contrasts sharply with the cool tones of the surrounding environment. A figure stands bound at the stake, rendered in a pale, almost spectral white, suggesting vulnerability and perhaps transcendence. The composition is vertically oriented, emphasizing the height of the flames and the imposing presence of the fortress looming behind.
The fortress itself is depicted as a formidable structure, its dark silhouette punctuated by towers and battlements. It appears to be carved into a rocky outcrop, lending it an air of permanence and authority. A flock of birds flies across the upper portion of the scene, their movement offering a sense of freedom in stark opposition to the immobility of the central figure.
A group of armored figures are positioned at the base of the pyre, their shields bearing heraldic emblems that suggest a formal execution carried out under official sanction. Their presence is not overtly aggressive; they appear more as observers than active participants in the event. The artist has used a muted palette, primarily consisting of earth tones and cool blues, which contributes to an atmosphere of solemnity and restraint.
Subtleties within the drawing suggest deeper meanings. The contrast between the warmth of the fire and the coolness of the surroundings could symbolize the conflict between earthly suffering and spiritual purity. The fortress, representing institutional power, casts a long shadow over the scene, hinting at themes of injustice and oppression. The birds’ flight might represent hope or liberation, even in the face of death. The overall effect is one of quiet tragedy, focusing on the individuals fate within a larger historical context.