Roerich N.K. – Flowers Timur (Lights of Victory) (sketch)
1931. Canvas on cardboard, tempera. 30.5 x 44.5 cm.
Location: Whereabouts are unknown. Meeting of JN Roerich
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Several prominent structures rise from the foreground. On the left, a tall, roughly hewn tower or monument emits a substantial flame that appears to writhe upwards, its form echoing the contours of the sky. Similar, though smaller, flames are visible atop two other rocky outcroppings situated further along the horizon line. A large, snow-capped mountain looms in the background, its stark white surface contrasting with the surrounding hues and creating a sense of distance and grandeur.
The artist’s application of color is noteworthy. The pervasive green creates an atmosphere of quietude and perhaps melancholy, while the yellow flames introduce a dynamic element of energy and hope. The limited tonal range contributes to a dreamlike quality, blurring the distinction between reality and imagination.
Subtly, the arrangement suggests themes of remembrance or commemoration. The towering structure with its flame could symbolize a memorial, a beacon of defiance, or a celebration of victory. The scattered flames across the landscape might represent dispersed communities or individual acts of resilience. The mountain’s presence lends an air of permanence and timelessness to the scene, hinting at enduring values or historical significance.
The sketch-like quality of the execution – the visible brushstrokes and simplified forms – adds a layer of immediacy and intimacy to the work. It suggests a fleeting moment of inspiration, captured with a sense of urgency and emotional depth. The overall effect is one of quiet contemplation on themes of loss, hope, and enduring spirit within a vast and somewhat desolate landscape.