Pass Rattan Roerich N.K. (Part 3)
Roerich N.K. – Pass Rattan
1931. Canvas (cardboard?), Tempera. 30.5 x 42 in the light; 35.5 x 47 cm.
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Location: The State Museum of Oriental Art, Moscow (Государственный музей искусства народов Востока).
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Here we see a series of jagged peaks, their slopes heavily laden with snow. Light falls unevenly across them, highlighting some areas while casting others in shadow, contributing to the three-dimensional effect. The foreground is defined by a steep incline, its surface rendered with thick impasto that suggests both the physical weight of the snow and the artist’s deliberate application of paint.
The sky occupies a significant portion of the composition. It isnt uniformly blue; instead, it displays subtle gradations in tone, hinting at cloud cover or atmospheric haze. A vertical band of brighter light pierces through this expanse, drawing the viewers eye upward and suggesting a source of illumination beyond the immediate scene.
The painting evokes a feeling of solitude and remoteness. The absence of human presence reinforces the scale of the natural environment and underscores its power. The limited color range contributes to an overall mood of quiet contemplation. It is possible that the artist intended to convey not just a visual representation of a mountain landscape, but also a sense of emotional distance or spiritual introspection.
The deliberate simplification of forms and the emphasis on tonal variations suggest an interest in capturing the essence of the scene rather than its literal appearance. The work seems less concerned with photographic realism and more focused on conveying a subjective experience of the natural world – one characterized by stillness, grandeur, and perhaps even a touch of melancholy.