Roerich N.K. – Mother World # 27
1924. Tempera on canvas. 117.1 x 88.6 cm.
Location: International N.K. Roerich’s Center-Museum, Moscow (Международный Центр-Музей им. Н.К. Рериха).
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Here we see the figure draped in flowing robes of a similar blue hue to the backdrop, creating a visual unity that simultaneously emphasizes its separation from the surrounding space. The garment’s folds are rendered with geometric precision, suggesting an intentional departure from naturalistic representation towards a more stylized aesthetic. A distinct pattern of rectangular shapes is visible on the lower portion of the robe, adding another layer of structured design.
The face of the figure is partially obscured by the hood of the robes, lending it an air of mystery and universality. The eyes are prominent, conveying a sense of profound contemplation or perhaps even sorrow. The hands are raised in what appears to be a gesture of offering or benediction.
Below the central figure, a stylized landscape emerges from the darkness. Broad, sweeping brushstrokes define forms that suggest both land and water – possibly representing an origin point or a realm of creation. Small, indistinct shapes resembling fish populate this lower area, hinting at primordial life and abundance.
The halo surrounding the figure is not uniformly bright; it appears to be constructed from smaller, shimmering elements, creating a textured effect reminiscent of mosaic work. This technique contributes to the painting’s otherworldly quality and reinforces the sense that the depicted entity transcends earthly limitations.
Subtly, the arrangement suggests themes of creation, protection, and perhaps even mourning. The figures posture and gesture imply a nurturing presence, while the surrounding darkness and the obscured face introduce an element of melancholy or solemnity. The combination of geometric forms and organic shapes creates a tension between order and chaos, reflecting the complexities inherent in concepts of motherhood, origin, and cosmic existence.