Roerich N.K. – City Ja Lama. Mongolia
1927-1928. Plywood, tempera. 32 x 68 cm.
Location: Collection LA Fedun. Russia.Moskva
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The color palette is striking. The lower portion of the scene is rendered primarily in warm earth tones, creating a sense of solidity and connection to the ground. Above this, the buildings transition into cooler blues and purples, which contrast with the sky’s pale blue hue punctuated by wisps of white clouds. This chromatic shift creates a visual separation between the built environment and the natural world, while also suggesting depth and atmospheric perspective.
The artists application of paint is characterized by broad, visible brushstrokes that contribute to the overall impression of texture and ruggedness. The lack of sharp detail encourages an interpretation of the scene as viewed from a distance, emphasizing its scale and remoteness.
Subtly, there’s a sense of isolation conveyed through the vastness of the landscape and the settlements apparent detachment from any visible signs of human activity beyond its walls. This evokes themes of resilience, self-sufficiency, and perhaps even a degree of cultural preservation within a challenging environment. The architecture itself suggests a deliberate adaptation to the topography, implying a long history of inhabitation and an intimate relationship between the community and its surroundings. The tower’s prominence hints at a hierarchical structure or a focal point for spiritual or communal practices. Overall, the painting conveys a powerful sense of place – a remote settlement embedded within a dramatic landscape, imbued with a quiet dignity and enduring presence.