Roerich N.K. – Queen of Heaven # 43
1931. Paper on cardboard, gouache, pencil, watercolor. 47 x 31 cm.
Location: Collection Joe Dzhagoda. USA.Dallas
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The background is equally significant. It’s divided into distinct zones of color – deep violet at the apex transitioning to vibrant red in the central area behind the figure. Within this red field are circular motifs, reminiscent of stylized floral or celestial bodies, arranged symmetrically around the seated woman. Smaller figures, framed within halos and positioned along the sides, appear as witnesses or attendants, contributing to a sense of sacred space. The lower portion of the composition features an elaborate patterned textile, its design incorporating both geometric and organic elements.
The color palette is striking: the juxtaposition of deep blues and reds creates visual tension while the gold leaf used for the headdress and other decorative elements introduces luminosity and richness. This combination suggests a deliberate attempt to evoke a sense of divine presence or otherworldly beauty.
Subtexts within this work appear to explore themes of power, piety, and perhaps even suffering. The regal attire and posture imply authority, yet the downcast gaze and clasped hands suggest humility and vulnerability. The surrounding figures and symbolic background elements reinforce the notion of a sacred realm, while the overall composition conveys an atmosphere of quiet reverence. The patterned textile at the base could be interpreted as representing earthly concerns or the complexities of human existence in contrast to the figure’s elevated status. Ultimately, the painting invites contemplation on the nature of faith, power, and the relationship between the divine and the mortal.