Costume of a woman from Livonia Albrecht Dürer (1471-1528)

The drawing presents a full-length depiction of a woman adorned in elaborate ceremonial attire, presumably intended to document regional costume. The figure stands facing forward, her posture erect and dignified, conveying a sense of formality and status. Her gaze is directed towards the viewer with an expression that appears both composed and slightly distant.
The most striking element is undoubtedly the headdress. It rises sharply from the forehead in a pointed structure, constructed from layers of fabric that create a complex, almost architectural form. The folds are meticulously rendered, suggesting a deliberate attempt to capture the intricacies of its construction. A veil or fine netting drapes down from the head covering, partially obscuring the face and adding an air of mystery.
The gown itself is equally detailed. It appears to be constructed in multiple layers, with contrasting colors – pale yellows, pinks, and creams – creating a sense of depth and texture. The sleeves are long and fitted, widening at the wrist, while the skirt falls in graceful folds that pool slightly around the feet. A decorative belt cinches the waist, adorned with what appears to be an ornamental pouch or small container.
A string of pearls is draped across the chest, adding a touch of opulence and further emphasizing the woman’s elevated social standing. The artist has paid close attention to the rendering of fabric textures; the sheen of the silk-like materials is suggested through subtle variations in tone and shading.
The background is plain and monochromatic, directing all focus onto the figure and her clothing. This simplicity serves to highlight the richness and complexity of the costume itself.
Beyond a straightforward depiction of attire, the drawing seems to carry subtexts related to identity and cultural representation. The meticulous detail suggests an intention not merely to record appearance but also to preserve a sense of regional distinctiveness. The woman’s formal pose and direct gaze imply a desire for recognition and perhaps even a claim to authority or social importance within her community. The presence of the inscription in the upper right corner, likely providing details about the costumes origin and date, reinforces this notion of documentation and preservation. It is plausible that the work served as part of a larger project aimed at cataloging regional customs and traditions – a practice common during periods of increased cultural awareness and national identity formation.