Phillip Richard Morris – Portrait of a Lady in a Green Jacket
1890 oil on canvas
Location: Towneley Hall Art Gallery and Museum, Burnley.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The woman’s attire immediately draws attention. A vibrant green jacket, richly textured and detailed, dominates the visual field. Its fitted bodice is accented by delicate lace detailing at the sleeves and collar, suggesting wealth and refinement. The contrast between the dark skirt and the bright green of the jacket creates a dynamic interplay of color that enhances her presence. She wears elaborate earrings and a necklace, further reinforcing an impression of affluence and status.
Her posture conveys a sense of relaxed confidence. One hand is casually raised to her hair, while the other rests on what appears to be a stone balustrade, holding a single rose. This gesture introduces a subtle element of melancholy or introspection; the solitary flower could symbolize beauty, fragility, or perhaps lost love. The gaze directed slightly downward suggests contemplation rather than direct engagement with the viewer.
The artist’s brushwork is loose and expressive, particularly evident in the rendering of the background and the folds of her clothing. This technique lends a sense of immediacy and spontaneity to the work, moving away from rigid formality towards a more intimate portrayal. The color palette leans toward warm tones – greens, golds, and browns – creating an overall feeling of richness and opulence.
Subtly, there’s a tension between the womans outward appearance of composure and the underlying suggestion of introspection conveyed through her posture and gaze. This duality invites speculation about her inner life and the circumstances surrounding her portraiture. The rose, as a recurring motif in art history, adds another layer of symbolic complexity, potentially alluding to themes of romance, mortality, or fleeting beauty.