Charlotte detaches Albert’s pistols to give them to Werther Antoine Calbet (1860-1944)

The drawing presents a woman engaged in a delicate and potentially fraught action. She is depicted from behind, her posture suggesting both attentiveness and a certain hesitancy as she handles two pistols. The rendering style utilizes soft lines and muted tones, creating an atmosphere of quiet intensity rather than dramatic confrontation.
Here we see the woman dressed in what appears to be late eighteenth-century attire – a gown with a high waistline and a ruffled neckline, indicative of a specific historical period. Her hair is styled simply, pulled back from her face, drawing attention to the task at hand. The focus remains firmly on her interaction with the weapons; they are rendered with considerable detail, emphasizing their metallic sheen and intricate design.
The subtext within this scene revolves around themes of agency, responsibility, and perhaps even complicity. The act of removing the pistols from a man’s possession implies an intervention, a disruption of a potential course of action. It suggests that she is actively participating in preventing something – though what exactly remains ambiguous. Her averted gaze prevents any direct emotional connection with the viewer; we are left to interpret her motives and the implications of her actions.
The artists choice to depict the woman from behind further contributes to this sense of mystery. It obscures her facial expression, denying us a clear understanding of her internal state. This compositional decision encourages speculation about her role in the unfolding narrative – is she acting out of concern, manipulation, or something else entirely? The drawing’s overall effect is one of restrained drama, hinting at a complex emotional landscape beneath the surface of this seemingly simple act.