Werther Admiring Charlotte Playing Harpsichord Antoine Calbet (1860-1944)

The drawing presents a domestic interior scene centered around two figures and a musical instrument. A young woman is seated at a harpsichord, her posture suggesting concentration as she plays. Her attire – a flowing dress with a sash tied at the waist – indicates a degree of formality appropriate for a refined setting. The artist has rendered her hair in an elaborate style, further emphasizing her status and perhaps hinting at a cultivated sensibility.
Beside her stands a young man, his gaze fixed intently on the woman. His posture is slightly angled towards her, conveying admiration or longing. He appears to be observing her with a depth of feeling that transcends mere polite interest. The rendering of his face lacks precise detail, which contributes to an overall sense of emotional intensity rather than individual portraiture.
The harpsichord itself dominates the composition, its dark wood contrasting with the lighter tones of the figures and background. Sheet music is visible on a stand, suggesting a deliberate performance or practice session. The instrument serves not only as a focal point but also as a symbolic element – music often representing emotions, refinement, and social interaction in this period.
The surrounding space is loosely defined, indicated by sketchy lines and washes of color that suggest walls and perhaps other furniture. This lack of precise detail directs the viewers attention to the two central figures and their interaction. The overall palette is muted, relying on shades of gray, pink, and cream, which contributes to a sense of quiet intimacy and melancholy.
Subtly, the drawing explores themes of unrequited affection or idealized love. The man’s rapturous gaze suggests an emotional distance between him and the woman at the harpsichord; she is absorbed in her music, seemingly unaware of his intensity. This dynamic creates a palpable tension within the scene – a silent drama unfolding through posture and gesture. The drawing evokes a sense of longing and unspoken desire, characteristic of sentimental narratives prevalent during its time.