The singer Giuseppina Grassini (1773-1850) was young in the presence of Berthier in the room of the first consul Napoleon Bonaparte who became her lover Antoine Calbet (1860-1944)

The drawing presents a scene of restrained intimacy within what appears to be a formal setting. Three figures occupy the composition: a man seated prominently at a table, and a woman positioned opposite him, with a third figure partially visible in the background. The man, presumably Berthier, is dressed in a military uniform, indicated by the gold epaulettes and dark blue jacket. He leans back in his chair, one arm resting on the tables edge, suggesting a posture of relaxed authority or perhaps studied nonchalance. His gaze is directed towards the woman across from him.
The woman, identified as Giuseppina Grassini, is depicted with an air of delicate composure. She rests her hand upon a basket overflowing with flowers and fruit, a gesture that could be interpreted as both ornamental and symbolic – representing abundance or perhaps a carefully cultivated image of innocence. Her gaze appears directed slightly away from the man, hinting at a complex interplay of attention and distance.
The background figure is less distinct, appearing to observe the interaction from a slight remove. This individual’s presence reinforces the sense that this encounter takes place within a larger social context, one where observation and potential judgment are inherent elements.
The table itself serves as a focal point, laden with objects – a wine glass being particularly noticeable – which contribute to an atmosphere of refined leisure. The architectural details visible through the window suggest a room of considerable status, likely belonging to someone of power.
Subtleties in the drawing’s execution reveal layers of meaning beyond the surface narrative. The cross-hatching technique used throughout creates a sense of texture and depth, but also contributes to an overall feeling of formality and restraint. The limited color palette reinforces this impression, emphasizing the seriousness of the occasion. The artists choice to depict the woman with a slightly averted gaze introduces ambiguity into her character – is she shy, apprehensive, or simply maintaining a dignified distance? This deliberate lack of overt emotional expression invites speculation about the power dynamics at play and the unspoken tensions within the scene. Ultimately, the drawing captures a moment poised between potential romance and political maneuvering, hinting at the complexities of ambition and desire in a world governed by status and influence.