Robert Braithwaite Martineau – The Taming of the Shrew: Katherine and Petruchio
1855 oil on canvas
Location: Ashmolean Museum, Oxford.
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The man, positioned close to a doorway, presents a striking contrast to the woman’s somber attire. His clothing is vibrant – a green and white doublet with puffed sleeves and prominent white hose culminating in pointed red shoes. He holds a dark object, possibly a musical instrument or a covered dish, near his face, obscuring part of his expression while simultaneously drawing attention to it. This gesture introduces an element of ambiguity; is he offering something, concealing something, or simply using the object as a shield?
The background provides further context. Through the doorway, one glimpses a landscape populated with figures engaged in what seems to be a celebratory gathering. The light illuminating this distant scene is considerably brighter than that within the room, creating a visual separation between the domestic space and the world beyond. This contrast reinforces the sense of confinement experienced by the woman, suggesting she is isolated from joy or communal celebration.
The floor tiles are patterned with an intricate design, adding to the overall impression of wealth and refinement. The dark wood paneling of the walls contributes to a feeling of enclosure and formality.
Subtly, the painting explores themes of power dynamics and social expectations within a hierarchical society. The woman’s averted gaze and formal posture suggest resistance against imposed authority, while the mans flamboyant attire and ambiguous gesture hint at manipulation or control. The contrast between the interior space and the celebratory scene outside underscores the potential for societal pressures to isolate individuals from happiness and freedom. The composition suggests an uneasy tension, a moment poised on the precipice of confrontation or reconciliation.