Benjamin Robert Haydon – Venus and Anchises
1826. 127×102
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To her right sits a man, positioned on what appears to be a natural stone ledge covered with foliage. He wears a simple orange tunic and sandals, indicative of a pastoral existence. In his hands, he holds a lyre, a symbol of music and poetry, while leaning against a weathered stone structure partially obscured by dense vegetation. His posture is relaxed, yet attentive; his eyes are fixed on the woman, conveying an air of reverence or perhaps longing.
The background establishes a landscape that blends idealized nature with hints of civilization. A distant vista reveals rolling hills and a body of water under a cloudy sky. The foliage immediately surrounding the figures creates a sense of enclosure, isolating them within this intimate encounter. Light plays a crucial role in shaping the scene; it illuminates the woman’s form, highlighting her ethereal quality, while casting the man in a softer glow, emphasizing his grounded presence.
Subtleties within the painting suggest layers of meaning beyond a straightforward depiction of interaction. The contrast between the womans elevated status and the man’s humble attire implies a power dynamic or a narrative of divine intervention into mortal affairs. The lyre held by the seated figure could represent the power of art to immortalize moments, or perhaps it signifies his role as a storyteller recounting the events unfolding before us. The presence of the stone structure hints at a connection between the natural world and human civilization, suggesting themes of lineage, legacy, and the enduring influence of myth on culture. Overall, the work evokes a sense of timelessness and invites contemplation on the interplay between divinity, humanity, and artistic expression.