#37228 Florencio Aguilera

The composition presents a still life arranged within what appears to be a studio setting. A predominantly cool palette dominates, with varying shades of blue and green forming the foundation for the scene. Warm tones – ochre, orange, and hints of red – are strategically employed to create visual contrast and highlight certain elements.
A central glass bottle, rendered in translucent greens and blues, commands immediate attention. Its form is simplified, yet its presence feels substantial. Surrounding it are various cylindrical vessels and a small, rounded object, all treated with similar expressive brushwork that prioritizes color over precise representation. These objects appear to be clustered on a circular base, which itself sits atop a larger table or surface.
To the right of the central grouping stands a plaster bust, partially obscured by shadow. Its presence introduces an element of classical reference within this otherwise modern arrangement. Behind the still life elements, a wooden easel is visible, angled towards the viewer and contributing to the sense of being inside an artist’s workspace. The background itself is indistinct, composed of blocks of color that suggest walls or screens, further reinforcing the studio environment.
The brushwork throughout is loose and energetic, characterized by short, broken strokes that convey a sense of immediacy and spontaneity. Theres a deliberate lack of sharp outlines; forms bleed into one another, creating a hazy atmosphere. This technique contributes to an overall feeling of introspection rather than direct observation.
Subtly, the painting suggests themes of artistic creation and contemplation. The studio setting implies a space for production, while the arrangement of objects – a combination of functional tools (the easel) and aesthetic subjects (the bust) – hints at the artist’s engagement with both craft and inspiration. The muted color scheme and softened forms evoke a mood of quiet reflection, suggesting that the scene is less about depicting reality than it is about exploring the process of seeing and understanding.