Vicente Romero Redondo – redondo--49
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has skillfully employed the mirror as a compositional device. It doesnt merely reflect the figure but rather multiplies her presence, generating an echo chamber of self-perception. The reflections are not perfectly precise copies; they exhibit slight distortions and variations in light, hinting at the subjective nature of observation and the elusive quality of identity.
The color palette is restrained, dominated by muted tones of grey, beige, and cream. This limited range contributes to a somber atmosphere, reinforcing the feeling of solitude and inward focus. The background is indistinct, further emphasizing the dancers isolation within this space. A door is visible in the distance, suggesting an exit or transition, but it remains out of reach, adding to the sense of confinement.
The brushwork appears loose and expressive, particularly noticeable in the rendering of the fabric. This technique lends a fluidity to the composition, evoking movement despite the dancers stillness. The light source seems to originate from the left side, casting shadows that accentuate the contours of her body and enhance the three-dimensionality of the reflections.
Subtly, the painting explores themes of self-awareness, performance, and the complexities of identity. The mirror serves as a metaphor for introspection, prompting questions about how we perceive ourselves and how our perception is shaped by external forces. The repeated image suggests an ongoing dialogue with oneself, a constant evaluation of form and expression inherent in artistic practice. Ultimately, the work conveys a quiet dignity and a poignant sense of vulnerability.