Portrait of Henriette Herz as Hebe Anna Dorothea Therbusch (1721-1782)

The portrait presents a young woman in a pose suggestive of classical mythology. She is positioned against a dark, indistinct background that emphasizes her figure and the objects she holds. The lighting is soft and diffused, highlighting the delicate features of her face and the textures of her garments.
Here we see the subject draped in a flowing white gown with off-the-shoulder sleeves, revealing bare shoulders and upper arms. A blue robe drapes over one shoulder and cascades down, adding depth and movement to the composition. Her hair is elaborately styled, adorned with a floral crown composed primarily of pink roses and other blossoms. Pearl earrings dangle from her ears, contributing to an overall impression of refinement and elegance.
In her left hand, she holds a small bouquet of flowers mirroring those in her headdress, creating visual harmony. More significantly, she supports a gilded patera – a shallow bowl used for libations – with her right arm. The patera is intricately decorated with serpentine handles, further reinforcing the classical allusions. It rests on what appears to be a stylized rock formation or cloud, adding an ethereal quality to the scene.
The subtexts within this painting are layered and complex. The floral crown and the patera immediately evoke associations with Hebe, the Greek goddess of youth and cupbearer to Olympus. This identification suggests themes of beauty, grace, and perhaps even immortality. The pose itself – a slight turn of the head combined with a relaxed posture – conveys an air of confidence and serenity.
The choice of attire, while fashionable for the period, also contributes to the classical idealization. The simplicity of the white gown contrasts with the richness of the blue robe and gilded patera, creating visual interest and highlighting the subject’s perceived virtue or purity. The dark background serves not only to isolate her but also to create a sense of mystery and timelessness.
Ultimately, this portrait appears to be more than just a likeness; it is an allegorical representation intended to elevate the sitter through association with classical mythology and ideals of beauty and grace.