Metropolitan Museum: part 2 – Elihu Vedder - The Pleiades
Elihu Vedder: American, New York City 1836–1923 Rome 1885; Oil on canvas; 24 1/8 x 37 5/8 in. (61.3 x 95.6 cm)
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The figures’ poses suggest movement and ecstatic release. Their arms are raised in gestures of supplication or celebration, their bodies twisting slightly as if caught in a celestial dance. The drapery clings to them loosely, revealing glimpses of flesh while simultaneously contributing to the sense of flowing motion. The central male figure stands with an assertive posture, holding a staff or scepter and gazing upwards towards the constellation. His attire is more formal than that of the women; he wears a simple tunic, suggesting a position of authority or leadership within this group.
The color palette is dominated by muted earth tones – browns, ochres, and creams – which are contrasted with touches of pale pink and gold on the figures’ skin and drapery. This creates an ethereal quality, enhancing the sense that these beings exist in a realm beyond the mundane. The background is rendered as a swirling vortex of color, suggesting cosmic energy or a celestial storm. Light emanates from both the constellation above and seemingly from within the figures themselves, contributing to the overall impression of otherworldly beauty and power.
Subtly, theres an interplay between earthly and divine realms. The women’s connection to the stars through the ropes implies a link between humanity and the cosmos. The central male figure could be interpreted as a conduit or mediator between these two spheres. The painting evokes themes of aspiration, transcendence, and the search for meaning beyond the tangible world. There is an underlying sense of ritualistic activity, suggesting that this scene depicts a sacred ceremony or celebration connected to celestial events.