Metropolitan Museum: part 2 – Unknown - The Hunting Party—New Jersey
ca. 1750; Oil on canvas; 25 3/4 x 47 1/8 in. (65.4 x 119.7 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
A smaller figure stands on foot at the left edge of the scene, seemingly observing the procession; his darker attire contrasts with the vibrant red of the mounted hunters. A pack of hounds is depicted in the foreground, their forms energetic and angled towards an unseen quarry. The background consists of a simplified landscape – a dark green treeline against a sky streaked with pinks and blues – lacking detail but establishing spatial depth.
The painting’s style exhibits characteristics indicative of folk art or provincial portraiture. Brushwork is loose and somewhat naive, with limited attention to precise anatomical rendering or atmospheric perspective. The figures are presented frontally, their expressions relatively neutral, suggesting a focus on portraying status and group identity rather than individual personality.
Subtextually, the work likely conveys themes of social hierarchy and leisure. The coordinated attire and equestrian activity signify privilege and access to land – activities typically reserved for the elite. The presence of the hounds reinforces this notion, as hunting was both a sport and a demonstration of power. The inclusion of the solitary figure on foot might be interpreted as representing those excluded from such pursuits, or perhaps an attendant observing the spectacle.
The overall impression is one of controlled formality within a seemingly natural setting. While the scene depicts action, it lacks spontaneity; instead, it feels staged – a carefully constructed representation of social ritual and belonging.