Edward Hicks – Peaceable Kingdom Metropolitan Museum: part 2

The composition presents a pastoral scene imbued with symbolic weight. A central female figure stands calmly amidst a gathering of diverse animals – a bull, a lion, a leopard, sheep, goats, and other ungulates – all seemingly coexisting in harmony. The woman’s posture is one of gentle authority; she extends her hand as if to bless or guide the assembled creatures. Her attire, a simple yet dignified garment, suggests a role of mediation or divine representation.
To the left, two children are depicted reclining near a body of water, seemingly observing the scene with an air of peaceful contemplation. Their presence introduces a sense of innocence and future generations inheriting this tranquil state. The landscape itself is rendered in a somewhat stylized manner; the trees form a dense backdrop, while the river provides a visual break and suggests abundance.
The arrangement of animals carries significant subtextual meaning. Traditionally, lions and leopards represent ferocity and danger, yet here they are depicted as docile, interacting peacefully with herbivores like bulls and sheep. This juxtaposition underscores a theme of reconciliation and the potential for overcoming inherent conflict. The inclusion of various species – predator and prey alike – suggests an idealized vision of universal harmony, where natural instincts are subdued by a higher power or guiding principle.
The inscription at the bottom edge provides a textual anchor to this symbolic narrative, hinting at a scriptural source that informs the scenes meaning. Overall, the painting conveys a message of peace and concord, achieved through divine intervention or benevolent guidance, offering a hopeful vision for human-animal relations and societal harmony.