Metropolitan Museum: part 2 – Federico Barocci - Saint Francis
Federico Barocci: Italian, Urbino ca. 1535–1612 Urbino ca. 1600–1604; Oil on canvas; 35 3/8 x 30 7/8 in. (89.9 x 78.4 cm); with added strips 35 7/8 x 31 3/8 in. (91.1 x 79.7 cm)
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The background is dominated by a dramatic and somewhat obscured scene. A figure hangs suspended from a stark wooden cross, visible through a dark, arching recess that suggests a natural grotto or cave. The landscape beyond this recess fades into a dusky twilight, with hints of distant structures barely discernible against the fading light. Rocks jut out from the ground in the lower portion of the background, adding to the sense of ruggedness and isolation.
The artist’s use of chiaroscuro is particularly striking. Strong contrasts between light and shadow define the figures features and emphasize his emotional state. The illumination seems to originate primarily from an unseen source above and behind him, casting deep shadows that contribute to a feeling of solemnity and introspection.
Subtleties within the scene suggest layers of meaning beyond a simple depiction of piety. The open book implies study or revelation, perhaps indicating a moment of spiritual insight triggered by the vision before him. The rough texture of the stone wall against which he leans reinforces his connection to nature and simplicity. The distant landscape, shrouded in twilight, could symbolize both hope (the faint light) and uncertainty about the future.
The positioning of the crucified figure in the background creates a sense of distance and reverence. It is not presented as an immediate, tangible reality but rather as a vision or spiritual encounter – a moment of profound religious experience for the man in the foreground. The overall effect is one of quiet contemplation, emphasizing themes of faith, sacrifice, and the search for divine understanding.