Metropolitan Museum: part 2 – Joaquín Sorolla y Bastida - The Bath, Jávea
Joaquín Sorolla y Bastida: Spanish, Valencia 1863–1923 Cercedilla 1905; Oil on canvas; 35 1/2 x 50 1/2 in. (90.2 x 128.3 cm)
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Sorolla, Y Bastida Joaquin – только такое имя нашла в общем списке художников. М. б. будет Соролла а не Соройя
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The artist’s handling of light and color is particularly striking. The water surface shimmers with an array of yellows, whites, and greens, reflecting the surrounding vegetation and sky. This creates a sense of vibrancy and movement, almost as if the water itself is alive. The foliage behind the figures is rendered in thick, impasto strokes of purple, green, and brown, suggesting a lush and overgrown landscape. The overall effect is one of intense sunlight filtering through leaves, dappling the scene with highlights and shadows.
The composition directs attention to the interplay between light, water, and human form. The placement of the figures – one in full view, another partially obscured, and the third seen from behind – creates a sense of depth and invites speculation about their relationships and individual experiences within this idyllic setting. There is an element of voyeurism present; we are positioned as observers of a private moment.
Subtly, the painting conveys themes of innocence, freedom, and connection to nature. The children’s uninhibited play suggests a carefree existence, while the natural environment reinforces a sense of harmony and tranquility. The use of light evokes feelings of warmth and optimism, contributing to an overall atmosphere of joy and vitality. The scene is not merely descriptive; it seems intended to capture a fleeting moment of beauty and happiness, imbued with a nostalgic quality that resonates beyond the immediate visual experience.