Metropolitan Museum: part 2 – Giovanni Gerolamo Savoldo - Saint Matthew and the Angel
Giovanni Gerolamo Savoldo: Italian, Brescia 1480/85–after 1548 Oil on canvas; 36 3/4 x 49 in. (93.4 x 124.5 cm)
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Behind him stands a winged figure, its form partially obscured by shadow. The angel’s posture is one of gentle guidance or inspiration; it leans slightly towards the seated man, seemingly offering encouragement or divine instruction. The angels attire consists of a flowing green robe and a voluminous white garment, which contribute to an ethereal quality.
The table itself holds several objects: a writing surface covered with script, an inkwell, and a small lamp that casts a warm glow on the scene. This illumination highlights the act of recording or transcription, suggesting a moment of revelation or divine communication. The presence of the lamp also introduces a symbolic element – light representing knowledge and spiritual enlightenment.
In the background, through what appears to be a window or doorway, one can discern figures gathered around a fire. These individuals are rendered in less detail, appearing as shadowy silhouettes, which serves to further emphasize the central narrative unfolding at the table. The architectural elements visible in the background – a wooden beam and a suggestion of a simple structure – ground the scene within a domestic setting, albeit one imbued with spiritual significance.
The overall effect is one of intense psychological drama. The artist has skillfully employed chiaroscuro – the dramatic contrast between light and dark – to heighten the emotional impact of the moment. The darkness enveloping much of the composition creates an atmosphere of mystery and solemnity, while the focused illumination on the central figures draws attention to their interaction and the significance of the act of writing. Subtly, there is a sense of isolation; the man seems alone with his task and the divine presence guiding him.