Metropolitan Museum: part 2 – Matthys Maris - Reverie
Matthys Maris: Dutch, The Hague 1839–1917 London 1875; Oil on canvas; 12 x 9 1/4 in. (30.5 x 23.5 cm)
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The color palette is dominated by muted earth tones – ochres, browns, and deep greens – which reinforce the somber mood. The woman’s garment, a loose-fitting green tunic, appears worn and faded, suggesting a life marked by hardship or simplicity. A splash of vibrant red in her hair provides a striking contrast against the subdued background, drawing attention to this detail while simultaneously hinting at an underlying passion or intensity.
To the left of the figure, partially obscured within the shadows, stands what seems to be a dog – its form indistinct but its presence adding another layer of complexity to the scene. The animal’s posture appears watchful and protective, perhaps symbolizing loyalty or companionship in a world otherwise characterized by solitude.
The background is rendered with an almost dreamlike quality; it lacks sharp definition, appearing as a dense tapestry of dark greens and browns that seem to press in on the figure. This lack of spatial clarity contributes to the feeling of confinement and isolation. The extensive network of cracks across the surface of the painting adds a palpable sense of age and fragility, further emphasizing the passage of time and the weight of experience.
Subtly, the work explores themes of loss, memory, and the quiet dignity of suffering. The woman’s averted gaze suggests an internal struggle, while her protective embrace implies a deep emotional connection to the object she holds. The presence of the dog hints at a yearning for solace or comfort in the face of adversity. Ultimately, the painting evokes a sense of profound empathy for the individual depicted and invites contemplation on the universal experiences of grief, resilience, and the enduring power of human connection.