Metropolitan Museum: part 2 – Andrea Mantegna - The Adoration of the Shepherds
Andrea Mantegna: Italian, Isola di Carturo 1430/31–1506 Mantua shortly after 1450; Tempera on canvas, transferred from wood; Overall 15 3/4 x 21 7/8 in. (40 x 55.6 cm); painted surface 14 7/8 x 21 in. (37.8 x 53.3 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To her left sits an older man, draped in yellow fabric, his gaze directed towards the central figure. He appears to be seated on a low wall or platform, creating a visual separation between him and the rest of the group. A tree laden with fruit stands nearby, its branches partially obscuring the architectural backdrop.
A kneeling figure occupies the right foreground, his face turned downwards in apparent reverence toward the child. His posture is one of humble devotion, emphasized by his bare feet and simple clothing. Behind him, a procession of figures moves along a path that recedes into the distance, their forms diminishing in scale as they approach the horizon.
The landscape itself is striking for its dramatic perspective. A large rock formation looms over the scene, while rolling hills and fields stretch out under a vibrant blue sky. The use of aerial perspective creates a sense of depth and vastness, contrasting with the more intimate grouping in the foreground.
Several subtexts emerge from this arrangement. The juxtaposition of architecture and landscape suggests a transition between the earthly and the divine. The abundance of fruit symbolizes prosperity and fertility, while the procession of figures implies a wider community acknowledging the significance of the central event. The kneeling figure’s posture conveys humility and piety, reinforcing the theme of reverence. The womans regal attire contrasts with the rustic setting, highlighting her elevated status as a maternal figure embodying grace and divinity. The overall effect is one of solemnity and awe, inviting contemplation on themes of faith, devotion, and the promise of renewal.