Edgar Degas – Woman Bathing in a Shallow Tub Metropolitan Museum: part 2

The pastel drawing presents a female figure engaged in a domestic ritual – bathing. She is positioned within a shallow tub, her body bent forward as if examining something near her feet. The composition is cropped and asymmetrical; the viewer does not see the entirety of the room or the woman’s face, which is obscured by her hair falling over her shoulder. This deliberate partiality contributes to an atmosphere of voyeurism, suggesting a glimpse into a private moment.
The artist employed a muted palette dominated by earthy tones – ochres, greens, and blues – which lend a sense of intimacy and immediacy to the scene. The application of pastel is loose and expressive; strokes are visible, creating a textured surface that evokes the fluidity of water and the softness of skin. Light falls unevenly across the figure, highlighting certain areas while leaving others in shadow, further emphasizing the fleeting nature of the moment captured.
The background is indistinct, consisting primarily of a curtain and a suggestion of wall space rendered in hazy tones. This lack of detail directs attention solely to the woman and her activity. The curtain’s presence introduces an element of enclosure, reinforcing the sense of privacy.
Beyond the literal depiction of bathing, the drawing seems to explore themes of vulnerability and self-reflection. The figures posture suggests introspection rather than relaxation; she appears absorbed in a task that is both mundane and potentially revealing. The cropped composition and obscured face deny the viewer easy access or understanding, prompting contemplation about the subject’s inner state. Theres an underlying tension between the private nature of the scene and its public presentation, hinting at societal attitudes toward female bodies and domesticity during the period in which it was created.