Metropolitan Museum: part 2 – Antoniazzo Romano (Italian, Roman, active by 1452–died by 1512) - The Nativity
Antoniazzo Romano (Italian, Roman, active by 1452–died by 1512): Antonio di Benedetto Aquilio 1480s; Tempera on wood; 11 1/2 x 26 1/2 in. (29.2 x 67.3 cm)
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To the left of this core scene, another figure stands observing the event, while a flock of sheep grazes in the background. Above them, an angel descends from the sky, its wings spread wide, seemingly announcing or witnessing the unfolding narrative. On the right side, a seated man plays a musical instrument, adding to the atmosphere of solemnity and celebration.
The setting is carefully constructed with attention to detail. The structure itself is nestled within rocky terrain, which rises into a landscape populated by a distant town or village. This juxtaposition of natural elements and human habitation creates a sense of depth and perspective. The artist employed a palette dominated by earth tones – greens, browns, and ochres – with the blue robes of the woman providing a striking contrast.
The inclusion of both rural and urban elements hints at a broader context beyond the immediate scene. The presence of livestock and shepherds underscores the humble origins of the event, while the distant town suggests its eventual integration into human society. The angel’s descent introduces a divine element, elevating the narrative from a simple pastoral scene to one of spiritual significance.
The compositions horizontal format lends itself to a panoramic view, allowing for a comprehensive depiction of the surrounding environment and multiple figures involved in the event. This expansive approach suggests that the depicted moment is not isolated but part of a larger, interconnected story. The overall effect is one of quiet contemplation and reverence, inviting viewers to reflect on the significance of the scene unfolding before them.