Alexander Nasmyth – Stage Design for Heart of Midlothian; Deans’ Cottage
c.1819. 28×39
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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A prominent feature is the fireplace dominating the right side of the scene. A fire burns within, casting a warm glow that contrasts with the cooler tones of the room. Above the mantelpiece hangs an ornate gilded mirror, its reflection lost in darkness, suggesting a concealed or obscured reality. To either side of the fireplace are surfaces cluttered with objects – books, papers, and what appears to be a writing desk, hinting at intellectual pursuits or record-keeping within this space. A small portrait is affixed to the wall above the desk.
To the left, a doorway leads into further obscurity, its threshold piled high with more volumes. A single chair sits nearby, draped with a faded red cloth; it appears unoccupied, contributing to an overall feeling of solitude and quietude. An easel stands in the corner, holding what seems to be a partially completed canvas or drawing, suggesting artistic activity within this setting.
The low-slung ceiling is visible, revealing exposed beams and rafters, reinforcing the impression of a humble dwelling. The artist’s handling of light and shadow creates depth and texture, emphasizing the rough materiality of the surroundings.
Subtly, the scene conveys themes of introspection and perhaps melancholy. The emptiness of the chair, the obscured reflection in the mirror, and the unfinished artwork all contribute to an atmosphere of contemplation or a sense of something left unresolved. The accumulation of books and papers suggests a history of thought and experience, while the overall austerity of the space implies a life lived simply, possibly marked by hardship or quiet resilience. The scene evokes a narrative potential; it feels like a place where significant events have transpired, or are about to unfold.