Seasons. WINTER. East or West. Elizabeth Merkuryevna Boehm (Endaurova) (1843-1914)

The composition presents a wintry scene dominated by muted earth tones and a sense of quiet observation. Here we see two children huddled together on what appears to be a makeshift sled or platform constructed from branches and snow. Their faces are partially obscured, suggesting a shared intimacy and perhaps a degree of vulnerability in the harsh environment. The figures are positioned towards the left side of the frame, leaving ample space for the landscape that stretches out before them.
The background is characterized by a vast expanse of snow-covered ground, subtly textured to convey depth and distance. A few sparse trees are visible on the horizon line, their forms softened by the winter light. The overall effect is one of isolation and stillness, emphasizing the stark beauty of the season.
A hedgehog occupies the right side of the painting, positioned slightly forward from the children. Its bristly fur is rendered with meticulous detail, contrasting with the smoother surfaces of the snow and clothing. The animal’s gaze seems directed towards the viewer, creating a sense of connection and perhaps hinting at a shared experience of resilience in the face of adversity.
A handwritten inscription appears beneath the figures, adding another layer to the works meaning. It reads В гостях хорошо, а дома лучше!, which translates to “It’s good to be a guest, but better at home.” This phrase reinforces the theme of longing and belonging, suggesting that while experiences outside one’s familiar surroundings can be enriching, there is ultimately no substitute for the comfort and security of home.
The paintings palette contributes significantly to its mood. The predominance of browns, grays, and whites evokes a feeling of coldness and austerity, but also possesses a certain warmth through the subtle variations in tone. The limited color range focuses attention on the forms and textures within the scene, enhancing the sense of realism and emotional depth.
The artist’s choice to depict children alongside an animal suggests themes of innocence, vulnerability, and connection with nature. It is likely that the work aims to evoke a nostalgic sentimentality for simpler times and the enduring values of family and home.