Vladimir Borovikovsky – Portrait of Elena Alexandrovna Naryshkina
1799. 73×60
Location: The State Tretyakov Gallery, Moscow (Государственная Третьяковская галерея).
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the left of the portrait, there is a decorative vase filled with lush green leaves and delicate pink roses. A single white rose rests on the wooden surface near the womans hands, adding another floral element to the composition. The womans expression is subtle and perhaps a little melancholic, with her gaze directed slightly away from the viewer.
The subtexts of the painting can be interpreted in several ways. The roses, particularly the pink ones in the vase and the white one near her hand, are traditional symbols of beauty, love, and youth. The white rose, often associated with purity and innocence, could further emphasize the sitters youth and perhaps her virtue. The gentle draping of the blue shawl might convey a sense of modesty or even vulnerability. The natural, outdoor setting contributes to an atmosphere of natural beauty and perhaps a connection to nature. The slightly distant gaze of Elena Alexandrovna Naryshkina could suggest introspection, a quiet contemplation, or a gentle reserve, inviting the viewer to ponder her inner thoughts and emotions.