Vladimir Borovikovsky – Portrait of Pavel I in White Dalmatic
1799-1800. 49×34
Location: The State Tretyakov Gallery, Moscow (Государственная Третьяковская галерея).
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The figure’s stance is formal yet slightly relaxed; one hand rests on their hip while the other holds back the dalmatic, revealing more of the underlying garments. The gaze is directed outward, conveying a sense of confidence and perhaps even aloofness. A subtle smile plays on the lips, suggesting an attempt at accessibility, though it doesn’t entirely dispel the impression of distance.
The background contributes significantly to the overall effect. Deep red curtains frame the figure, creating a theatrical stage-like setting. Behind them, glimpses of classical architecture – columns and moldings – are visible, hinting at a connection to established power structures and traditions. The color palette is dominated by dark tones – browns, greens, and blacks – which serve to highlight the luminosity of the white dalmatic and the gold embroidery. This contrast draws the viewer’s eye directly to the central figure.
Subtly, the choice of attire introduces a layer of complexity. While the dalmatic suggests religious authority or piety, its use by a secular ruler implies an appropriation of spiritual power – a visual assertion of dominion over both temporal and spiritual realms. The architectural details in the background reinforce this idea, suggesting that the individual’s rule is rooted in historical precedent and classical ideals.
The paintings overall effect is one of carefully constructed grandeur, designed to project an image of absolute authority and legitimacy. It is a portrait intended not merely to record likeness but also to convey power and status through symbolic representation.