Portrait of Gabriel Romanovich Derzhavin Vladimir Borovikovsky (1757-1825)

The portrait presents a man in what appears to be his mid-fifties, positioned against a backdrop suggesting a landscape viewed through foliage. The composition is framed within a circular border, which immediately draws attention to the subject and creates a sense of contained importance.
Here we see a gentleman with a somewhat melancholic expression; his gaze is directed slightly off-center, conveying an impression of introspection or perhaps weariness. His face displays subtle lines and shadows that suggest experience and a certain gravity. The artist has rendered the skin tones with considerable nuance, capturing both the highlights and the underlying complexity of aging.
The man’s attire speaks to his status. He is dressed in a formal coat – the vibrant red sleeves providing a striking contrast against the darker navy blue jacket – and wears a white shirt with a ruffled collar and cravat. A decorative order or medal is prominently displayed on his chest, signifying an official honor or membership in a prestigious society. The meticulous detail given to the rendering of these fabrics suggests a desire to emphasize the subject’s position within the social hierarchy.
The background landscape, though indistinct, contributes significantly to the overall mood. It appears to be a parkland setting with dense trees and hints of distant structures. This backdrop is not merely decorative; it implies connection to nature and perhaps alludes to leisure or intellectual pursuits – activities often associated with individuals of standing. The darkness surrounding the figure further isolates him, emphasizing his individuality and suggesting a contemplative solitude.
The artist’s use of light is particularly noteworthy. It illuminates the mans face and upper body, drawing attention to his features and highlighting the details of his clothing. This focused illumination contrasts sharply with the darker background, creating depth and enhancing the sense of three-dimensionality. The overall effect is one of dignified restraint; a portrait intended not only to record likeness but also to convey character and social standing.