Vladimir Borovikovsky – Mother of God surrounded by angels
1824–1825
Location: State Russian Museum, St. Petersburg (Государственный Русский Музей).
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She wears a long, flowing robe of pale blue, accented with a darker trim that emphasizes its form. The garment’s design suggests a deliberate attempt to convey purity and dignity. A dark veil covers her hair, framing her face and contributing to the overall sense of solemnity.
Surrounding this central figure is a multitude of small figures, presumably angels, arranged in tiers. They appear to float on clouds, their faces exhibiting expressions ranging from adoration to quiet contemplation. The lower tier of angels gathers around an open book resting upon a cloud; this detail introduces a symbolic element suggesting divine knowledge or revelation being presented.
The artist has employed a limited color palette – primarily blues, whites, and dark tones – to create a sense of ethereal beauty and spiritual elevation. The use of light is particularly significant, as it not only highlights the central figure but also contributes to the overall atmosphere of otherworldliness. The darkness enveloping the scene serves to isolate the figures from earthly concerns, emphasizing their divine nature and suggesting a realm beyond human comprehension.
Subtly, the composition evokes themes of intercession and mediation. The woman’s posture and gesture imply an active role in connecting the terrestrial with the celestial. The presence of the angels reinforces this notion, portraying them as messengers or intermediaries between the divine and humanity. The open book further suggests a conduit for divine communication and understanding. Overall, the painting conveys a sense of profound spiritual significance and invites contemplation on themes of faith, grace, and divine connection.