Vladimir Borovikovsky – Portrait of Varvara Shidlovskaya
1798. Oil on canvas, 72×53.5cm
Location: The State Tretyakov Gallery, Moscow (Государственная Третьяковская галерея).
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The woman’s attire reflects the fashion of an era characterized by elegance and restraint. She wears a flowing white gown with a low neckline, accentuated by a gold band at the throat and waist. A decorative necklace featuring a miniature portrait is prominently displayed against her décolletage. Her hair, styled in loose curls characteristic of the period, is adorned with a jeweled headband that catches the light. Several bracelets adorn her wrists, suggesting wealth and status. The placement of one hand resting on a table draped with fabric, while the other rests gently upon it, conveys an air of composure and grace. A small cluster of roses sits atop the table, adding a touch of natural beauty to the composition.
The artist’s technique demonstrates a careful attention to detail in rendering textures – from the sheen of the jewelry to the softness of the fabric and the subtle nuances of skin tone. The brushwork appears smooth and blended, contributing to an overall impression of refinement and idealized beauty.
Beyond the surface depiction, the painting suggests several subtexts. The woman’s direct gaze establishes a connection with the viewer, inviting contemplation rather than overt display. Her posture and attire communicate a sense of social standing and cultivated taste. The miniature portrait within her necklace hints at personal relationships or familial connections, adding layers to her identity beyond what is immediately visible. The roses, symbols of love and beauty, may allude to romantic aspirations or idealized notions of femininity. Overall, the work conveys an impression of quiet dignity, intelligence, and a subtle melancholy that transcends mere representation.