Konrad Starke – La fille de l’aveugle
Location: National Museum (Nationalmuseum), Stockholm.
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To her right sits an older man, his features rendered with a rough, almost skeletal quality. He leans forward, his attention seemingly fixed on something outside the frame, mirroring the young woman’s outward focus but conveying a sense of profound sadness or perhaps resignation. The proximity of the two figures suggests a relationship – possibly familial – yet their postures and expressions create a palpable distance between them.
The window itself offers a glimpse of a seascape; a sailing vessel is visible on the horizon, rendered with loose, gestural strokes that convey movement and distance. This element introduces a sense of longing or potential escape, contrasting sharply with the confinement suggested by the enclosed space within which the figures are situated. The blurred quality of the landscape further emphasizes its remoteness and inaccessibility.
The artist’s use of charcoal contributes significantly to the overall mood. The monochromatic palette reinforces the somber atmosphere, while the visible texture of the medium adds a sense of immediacy and rawness to the depiction. The heavy reliance on chiaroscuro – the dramatic contrast between light and dark – heightens the emotional intensity of the scene, drawing attention to the faces of the figures and emphasizing their isolation.
Subtly, the work seems to explore themes of blindness, both literal and metaphorical. The man’s posture and gaze suggest a detachment from reality, while the young womans apprehensive expression hints at an uncertain future or a lack of clarity regarding her circumstances. The sailing ship on the horizon could symbolize hope or opportunity, but its distance also underscores the challenges in reaching it. Ultimately, the drawing evokes a feeling of quiet desperation and unresolved questions, leaving the viewer to ponder the unspoken narratives that bind these figures together.