Jason Wilson – Portrait of John Mayou
1851
Location: Museums and Art Gallery, Birmingham.
Album navigation:

На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see a man of apparent substance; he wears a dark blue double-breasted coat adorned with gold buttons, layered over a waistcoat and a crisp white shirt secured by a black cravat. The texture of the fabric is rendered with considerable detail, suggesting quality and prosperity. His hair is neatly cropped, framing a face marked by subtle lines that hint at age and experience.
In his hands, he holds a book, its title partially obscured but visible enough to suggest intellectual pursuits or professional standing. This gesture is significant; it implies learning, authority, and perhaps a connection to the written word – potentially law, medicine, or scholarship. The way he cradles the volume suggests reverence for knowledge.
The overall composition conveys an impression of quiet dignity and self-assurance. There’s a deliberate lack of overt ornamentation beyond his attire and the book; this restraint reinforces a sense of seriousness and perhaps even austerity. The dark background serves to isolate the figure, drawing attention solely to him and emphasizing his presence.
Subtly, the painting suggests a man who values tradition, education, and respectability. It is likely intended as a statement of social standing and personal character – a visual declaration of one’s place within a hierarchical society. The absence of any discernible background beyond the red drape contributes to an atmosphere of formality and underscores the subjects importance.