Dierick Berck, 1536, Metropolitan Museum of Art, New Hans The Younger Holbein

The portrait presents a man positioned centrally against a backdrop of draped fabric. He is depicted from the chest upwards, facing directly toward the viewer with a solemn expression. The sitters gaze is steady and unwavering, conveying a sense of self-assuredness or perhaps even austerity. A dark beret adorns his head, framing a face characterized by a full beard and mustache, both meticulously rendered to showcase individual hairs and subtle variations in tone.
The man’s attire consists of a black garment with wide sleeves, revealing a glimpse of white linen at the neck. The fabric appears rich and weighty, contributing to an impression of status and prosperity. His left hand rests on a table covered with red cloth; upon this surface lie several sheets of paper or documents. The right hand is extended slightly, as if in a gesture of offering or presentation.
The background consists of heavy drapes – dark green accented by thin cords of reddish-brown – that create depth and further isolate the figure. Light falls predominantly from the left, illuminating his face and highlighting the texture of his clothing. The shadows cast on the right side of his body contribute to a sense of volume and three-dimensionality.
Subtleties within the composition suggest layers of meaning beyond a simple likeness. The documents displayed on the table might allude to the sitter’s profession or involvement in legal, commercial, or scholarly pursuits. The gesture with his hand could be interpreted as an invitation for engagement – a symbolic offering of knowledge, authority, or perhaps even patronage. The somber expression and formal pose reinforce a sense of dignity and importance, suggesting that this is not merely a casual portrait but rather a carefully constructed representation intended to convey specific qualities about the sitter’s character and standing within his community.