Hans The Younger Holbein – Sir Thomas Elyot
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The man’s attire suggests a position of some social standing. He wears a close-fitting cap, likely of velvet or similar material, that frames his face and emphasizes its contours. A simple tunic, secured with a cross-shaped clasp, completes his ensemble. The fabric appears to be rendered with careful attention to the way it drapes and folds around his body, indicating an understanding of textile representation.
The man’s facial features are characterized by a certain solemnity. His brow is furrowed slightly, suggesting thoughtfulness or perhaps even concern. A neatly trimmed beard and mustache add to the impression of controlled dignity. The artist has captured a sense of intelligence in the subjects eyes; they appear observant and engaged.
The inscription at the top, Th: Eliott Knight, provides contextual information about the sitter’s identity and status. This label reinforces the notion that this is a commissioned portrait intended to commemorate his position within society. The lettering itself is executed with a deliberate formality, mirroring the overall tone of the work.
Subtleties in the rendering suggest more than just a straightforward representation. The slight asymmetry of the face, while perhaps unintentional, contributes to a sense of realism and individuality. The artist’s choice to depict the man against such a neutral backdrop implies an emphasis on his inner character rather than external display. This restraint suggests a desire to portray not merely a person of rank but also someone of intellect and moral standing. Overall, the work conveys a feeling of quiet authority and intellectual depth.