John Constable – Hove Beach
from 1824 until 1828. 23×36
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The sea itself is a dynamic presence, with visible wave crests suggesting movement and power. The artist employed vigorous brushstrokes to convey the water’s energy, creating a sense of restless motion that extends across the canvas. A distant sailing vessel appears on the horizon line, dwarfed by the scale of the seascape.
Above the sea, the sky is a swirling vortex of color. Hues of pink, orange, and yellow blend with grey and blue, indicating either sunrise or sunset – a moment of transition and atmospheric drama. The clouds are not depicted as discrete forms but rather as masses of pigment applied in broad, sweeping strokes, contributing to an overall feeling of instability and grandeur.
The painting’s subtexts revolve around the relationship between humanity and nature. The diminutive figures on the beach underscore human vulnerability within a larger, indifferent world. The dramatic sky suggests forces beyond human control – the sublime power of the natural elements. There is a sense of melancholy or contemplation evoked by the scene; it isnt merely a depiction of a pleasant seaside view but rather an exploration of the emotional impact of nature’s scale and unpredictability. The loose, expressive brushwork further reinforces this feeling, suggesting that the artist sought to capture not just what he saw, but also how the scene felt – a fleeting moment of atmospheric intensity.