Pauline Bonaparte, Princess Borghese Robert Lefevre (1755-1830)

The portrait presents a woman reclining on a velvet-covered chaise lounge. She is positioned in a three-quarter view, her gaze directed towards the viewer with a subtle, almost melancholic expression. The background is dark and indistinct, drawing attention solely to the figure.
Her attire contributes significantly to the overall impression. A white chemise gown, partially revealed by a loosely draped shawl, suggests both modesty and luxury. Elaborate gold bands adorn her upper arms and waist, hinting at wealth and status. Most striking is the headdress: a turban-like arrangement of fabric, embellished with jewels, evokes an exoticism that was fashionable in the period. The style references classical antiquity while simultaneously introducing elements of Orientalist fascination.
The artist’s handling of light is noteworthy. It illuminates her face and upper body, highlighting the smoothness of her skin and the delicate curve of her features. This concentrated illumination creates a sense of intimacy, as if the viewer has been granted privileged access to this womans private world. The shadows that envelop the background serve to further emphasize her presence, isolating her within the composition.
Beyond the surface depiction, several subtexts emerge. The reclining pose, reminiscent of depictions of classical goddesses, implies an association with beauty and divinity. However, the slightly downcast gaze and the subtle sadness in her expression temper this idealized portrayal. There is a sense of introspection, perhaps even vulnerability, that contradicts the expected display of aristocratic confidence.
The turban itself carries layers of meaning. It signifies not only fashionable taste but also alludes to the Napoleonic era’s interest in Egyptology and its imperial ambitions. The jewels suggest opulence and power, while their placement on a head covering can be interpreted as a symbolic assertion of identity within a complex social hierarchy.
Ultimately, this painting is more than just a likeness; its an exploration of femininity, status, and the interplay between classical ideals and contemporary trends. It offers a glimpse into the world of privilege and power while simultaneously hinting at the complexities and potential melancholies that lie beneath the surface.