Robert Lefevre – Marie-Louise (1791-1847) of Habsbourg Lorraine
1814 oil on canvas
Location: Palace of Versailles (Château de Versailles), Paris.
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The woman’s dress is a pristine white gown, accented by gold embroidery along the bodice and hemline. The sleeves are fitted and puffed at the shoulders, characteristic of the periods fashion. A delicate tiara rests upon her head, signifying royalty or high nobility. Her hand gestures towards a small crown placed on a table beside her; this action could be interpreted as an acknowledgement of her position or perhaps a symbolic relinquishing of power.
The setting is opulent and formal. Behind the woman, we observe massive columns draped with elaborate fabrics, suggesting grandeur and permanence. A richly embroidered chair, partially obscured by a heavy cloak adorned with heraldic symbols, sits to her right. The floor is covered in a patterned carpet featuring golden fleur-de-lis motifs, reinforcing the theme of royalty and national identity.
The color palette is dominated by warm tones – golds, reds, and browns – which contribute to the overall sense of richness and formality. The lighting appears to be diffused, creating soft shadows that enhance the three-dimensionality of the figures and objects within the scene.
Subtly, the painting conveys a narrative beyond mere portraiture. The presence of the crown on the table, rather than being worn, introduces an element of contemplation or transition. It might suggest a moment of reflection on duty, power, or perhaps even a symbolic representation of inherited responsibility. The slightly averted gaze of the woman hints at a complex inner life, suggesting that her public persona may mask deeper emotions or concerns. Overall, the work aims to portray not just physical likeness but also an impression of character and status within a specific historical context.