Portrait of Anne Savary (1774-1833) Duke of Rovigo Robert Lefevre (1755-1830)

The composition presents a man in formal attire, positioned slightly off-center against a backdrop of draped fabric and architectural elements suggesting an interior space. He stands with one hand resting casually on his hip, while the other holds a plume of white feathers, creating a dynamic asymmetry within the portrait. The figure’s gaze is directed outward, conveying a sense of confidence and perhaps even a subtle challenge to the viewer.
The artist has rendered the subject in meticulous detail, particularly regarding the elaborate costume. A dark blue velvet coat, heavily embroidered with silver thread, dominates the visual field. Beneath it, a white waistcoat is visible, secured by an ornate bow tie. The man wears knee breeches and stockings of a pale hue, culminating in buckled shoes. Over his shoulders falls a richly patterned cloak or sash, its colors suggesting military or aristocratic affiliation. This layering of garments emphasizes status and wealth.
The lighting is carefully controlled; it illuminates the face and upper body, highlighting the texture of the fabrics and emphasizing the subject’s features. The shadows are deep but not oppressive, contributing to a sense of depth and volume. The background, though dark, isnt entirely devoid of detail – hints of columns and further drapery suggest a grand setting, reinforcing the impression of nobility or high rank.
Subtextually, the portrait conveys an image of power and refinement. The elaborate costume speaks to privilege and social standing, while the confident posture and direct gaze project authority. The feathers held in his hand could be interpreted as symbols of military prowess or romantic allure. The overall effect is one of carefully constructed persona – a man presenting himself for public scrutiny, acutely aware of how he is perceived. The formality of the pose and attire suggests an era defined by strict social hierarchies and elaborate displays of status.