Charles Beaubrun (After) – Olympia Mancini (1640-1708)
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Location: National Museum (Nationalmuseum), Stockholm.
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The subject’s clothing is particularly striking. It appears to be a hybrid of theatrical costume and aristocratic dress. The low-cut bodice, adorned with what seems to be gold embroidery or appliqué, reveals considerable décolletage. A cascade of fabric drapes over her shoulders and torso, creating a sense of movement and opulence. The headdress is equally extravagant, featuring plumes of feathers in shades of coral and cream, suggesting a theatrical performance or elaborate courtly ceremony.
She holds a large, oval shield in her left hand. The surface of the shield reflects an indistinct landscape – a suggestion of distant trees and sky – which seems almost like a painted backdrop rather than a realistic depiction. This detail contributes to the overall sense that this is not a straightforward portrait but a carefully constructed persona.
The woman’s gaze is direct, confident, and slightly aloof. Her expression suggests intelligence and self-awareness, hinting at a complex personality. She does not offer an inviting smile; instead, her countenance conveys a certain reserve. A slender rod or staff is held in her right hand, adding to the impression of power and control.
Subtextually, the painting seems to explore themes of female agency and aristocratic identity within a context that draws heavily on classical imagery. The costume suggests an embrace of theatricality and performance – a deliberate construction of self for public display. The shield, traditionally a symbol of defense and protection, could be interpreted as representing not only physical security but also the safeguarding of reputation or social standing. The overall effect is one of carefully curated grandeur, suggesting a woman who understands and manipulates the power of image and presentation.