На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Along the foreground, a wooden structure – a bridge or elevated walkway – provides a vantage point for observing the activity below. Several figures populate this platform: individuals in traditional Japanese attire stroll along, while others appear to be engaged in conversation or simply pausing to observe the scene. The clothing suggests a range of social classes; some are dressed more formally than others.
Below the walkway, several boats navigate the water. One is depicted with a sail, suggesting travel or trade. Others seem to be smaller vessels used for local transport or recreation. A palanquin, carried by two individuals, moves along the waterway, indicating someone of importance being transported. The figures surrounding the palanquin are partially obscured by an umbrella, further emphasizing their status.
The artist employed a perspective that combines elements of realism and stylization. While the landscape is rendered with some degree of accuracy, the figures are simplified and somewhat flattened, characteristic of certain printmaking traditions. A sense of depth is achieved through diminishing scale and atmospheric perspective – the mountains appear paler and less distinct in the distance.
The vertical banners on the right side contain Japanese text, likely providing contextual information or poetic commentary related to the scene. The decorative borders frame the composition, adding a layer of formality and visual richness. Overall, the work conveys a sense of tranquility and prosperity, capturing a moment of ordinary life within a picturesque setting. It suggests an appreciation for both natural beauty and human activity.