Piero di Cosimo (School of) – Madonna and Child and the Infant St John
65
Location: National Museum (Nationalmuseum), Stockholm.
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The woman’s posture conveys tenderness and protection; she leans towards the child, her gaze directed downwards with an expression that blends serenity and gentle concern. Her garments are richly colored – a deep red tunic over a green underdress – which contribute to a sense of dignity and status. The veil covering her head is delicately draped, adding to the overall impression of grace.
The child in her lap clings to her neck, his tiny hand resting against her cheek. This physical closeness reinforces the bond between mother and son. The third infant’s presence introduces an element of narrative complexity. He appears somewhat detached from the maternal embrace, observing the scene with a contemplative expression. The object he holds – likely belonging to one of the children – suggests a symbolic exchange or connection that is not explicitly stated.
The landscape backdrop, though seemingly idyllic, contains subtle details worthy of note. A partially opened book rests on a stone ledge in the middle ground, hinting at learning and spiritual knowledge. The trees are carefully arranged, their forms echoing the curves of the figures and contributing to the painting’s overall balance.
Subtly, the work explores themes of motherhood, innocence, and perhaps foreshadowing – the presence of the third child alludes to a future role within a larger narrative. The compositions restraint and idealized representation suggest an intention to elevate the depicted scene beyond mere portraiture, imbuing it with spiritual significance. The circular format further emphasizes this sense of wholeness and divine order.