George Willison – Nancy Parsons in Turkish dress
c.1771. 57×48
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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The woman’s attire is striking and immediately draws attention. She wears what seems to be a Turkish-inspired costume: a long, flowing white gown with wide sleeves, a decorative belt adorned with golden embellishments, and a headpiece featuring a turban-like arrangement. The fabric of the gown appears to have a subtle sheen, suggesting a luxurious material like silk or satin. Her posture is relaxed yet poised; one arm rests casually on the divan while her gaze is directed slightly off-center, conveying an air of quiet confidence.
The lighting in the painting is dramatic and directional. A strong light source illuminates the woman’s face and upper body, highlighting the delicate features and creating a sense of depth through chiaroscuro. The shadows cast by the figure contribute to the overall mood of intimacy and mystery.
Subtextually, the work seems to engage with themes of exoticism and cultural representation prevalent in European art during its period. The depiction of the woman in Turkish dress suggests an interest in “otherness” – a fascination with cultures perceived as distant or unfamiliar. It is likely that the costume was not worn by the sitter in everyday life but adopted for the purpose of creating a specific visual effect, potentially reflecting contemporary trends in fashion and artistic expression.
The opulent setting – the luxurious divan and rug – further reinforces an impression of wealth and privilege. The overall presentation suggests a deliberate construction of identity, where costume and environment combine to create a carefully curated image that might be intended to convey status, sophistication, or perhaps even a playful engagement with cultural boundaries.